Deirdre Saoirse Moen

Sounds Like Weird

Hugo Awards: Puppyflation, a Chart

06 April 2015

[![Hugo Awards: Puppyflation](/images/2015/04/puppyflation.jpg)](/images/2015/04/puppyflation.jpg)(click to enlarge)

I thought I’d show, in chart form, what the year-over-year changes are in Hugo Awards nominations, substantially due to the sad puppies (and rabid puppies) voting.
This year, there were almost exactly 10% more Hugo nominations than last year. Last year, there was also a (substantially less successful) sad puppies slate.
The area charts are 2015, and the lines correspond to the Hugo Awards nominations in the same categories for 2014.
Sources: 2014 statistics and 2015 statistics.

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Filk: Sad Puppies Aren't Much Fun

05 April 2015

[![Sad Puppies](/images/2015/04/7694499520_fd3b557b06_k.jpg)](/images/2015/04/7694499520_fd3b557b06_k.jpg)Sad Puppy • Photo by [Amber West](https://www.flickr.com/photos/cheeqz/7694499520/in/photolist-cHWjCQ-nn2uFH-pT8nxS-4uAN9j-rnkL8a-epMAqG-5Rwrx1-6rKLRW-9VSDj3-eoLQcG-4F7MaX-9SeTWB-6wvYgC-4WXhRm-aDmH6v-6cPXcJ-53BE1A-4hUWpJ-3kTzBK-4j4CHZ-bogBg8-5NWuJn-dy59SD-3McF3w-4G5Web-9xuxfp-7S3WrM-5DgBoD-5GHeC5-4KwUKy-5tcYi-8br7Yy-3xHuuE-31JPsv-6mzNzS-aqJkHS-aRFS5V-sxFan-8dKqzf-61wfWT-3BQmg6-8ijEMv-4kSiNE-6r8Ety-697rbg-9Ei8aj-pLJe58-qUxzHK-o4SA7h-9C7DZZ)

For those who don’t know, a “filk” song is a science fiction/fantasy folk genre, generally adding new lyrics to an existing tune. Though many filk writers also write original tunes, as I pay tribute to in this post.
The rest of this post is written by my husband, Rick Moen.
People who’ve been on SMOFS for a while might remember http://filkerdave.livejournal.com/541186.html. Well, I’ve gone and done the dirty deed a second time. ## Sad Puppies Aren’t Much Fun

(With apologies to Ogdel Edsl and fond memories of Dr. Demento.)
Sad puppies
Sad puppies
Sad puppies aren’t much fun.
They all fight for silenced voices,
By crowding out all other choices.
Sad puppies aren’t much fun.
Inclusiveness means broader picks,
Yet Three Body Problem gets a ‘nix’.
Sad puppies aren’t much fun.
Wright’s novellas mustn’t be ignored,
But his rocket points straight at Noah Ward.
Sad puppies aren’t much fun.
Sad puppies
Sad puppies
Sad puppies aren’t much fun.
Sad puppies
Sad puppies
Sad puppies aren’t much fun.
Sad puppies
Sad puppies.

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The Puppy-Free Hugo Award Voter's Guide

04 April 2015

The Hugo Awards
Update: Includes changes announced after initial nominations were announced. The only puppy-free slate changes are in the Best Novel and Best Novelette category. Ineligibility changes at File 770. Withdrawal changes at File 770.
Update 2: I’ve added those who withdrew after the final ballot into their respective categories below (because some people will be ranking choices after No Award and may wish to take these names into account). Also, for reference, here is the full ballot.
Follow, or don’t, your choice. If you are voting the strict ix-nay uppy-pay slate, here’s the options in each category:

Best Novel

Ancillary Sword, Ann Leckie (Orbit US/Orbit UK)
The Goblin Emperor, Katherine Addison (Sarah Monette) (Tor Books)
The Three-Body Problem, Cixin Liu, Ken Liu translator (Tor Books)
(in whichever order, followed by No Award)

Best Novella

No Award

Best Novelette

The Day The World Turned Upside Down by Thomas Olde Heuvelt, Lia Belt translator (Lightspeed Magazine, April 2014)
No Award

Best Short Story

No Award

No Award

Best Graphic Story

Ms. Marvel Volume 1: No Normal, written by G. Willow Wilson, illustrated by Adrian Alphona and Jake Wyatt, (Marvel Comics)
Rat Queens Volume 1: Sass and Sorcery, written by Kurtis J. Weibe, art by Roc Upchurch (Image Comics)
Saga Volume 3, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)
Sex Criminals Volume 1: One Weird Trick, written by Matt Fraction, art by Chip Zdarsky (Image Comics)
(in whichever order, followed by No Award)

Best Dramatic Presentation, Long Form

Captain America: The Winter Soldier, screenplay by Christopher Markus & Stephen McFeely, concept and story by Ed Brubaker, directed by Anthony Russo and Joe Russo (Marvel Entertainment, Perception, Sony Pictures Imageworks)
Edge of Tomorrow, screenplay by Christopher McQuarrie, Jez Butterworth, and John-Henry Butterworth, directed by Doug Liman (Village Roadshow, RatPac-Dune Entertainment, 3 Arts Entertainment; Viz Productions)
(all other nominees were part of the Sad/Rabid Puppies slate. Suggest following the above two, either order, with No Award)

Best Dramatic Presentation, Short Form

Doctor Who: “Listen”, written by Steven Moffat, directed by Douglas Mackinnon (BBC Television)
Orphan Black: “By Means Which Have Never Yet Been Tried”, written by Graham Manson, directed by John Fawcett (Temple Street Productions, Space/BBC America)
(all other nominees were part of the Sad/Rabid Puppies slate. Suggest following the above two, either order, with No Award)

Best Editor, Short Form

No Award
Withdrew: Edmund R. Schubert

Best Editor, Long Form

No Award

Best Professional Artist

Julie Dillon
(followed by No Award)

Best Semiprozine

Beneath Ceaseless Skies, edited by Scott H. Andrews
Lightspeed Magazine, edited by John Joseph Adams, Stefan Rudnicki, Rich Horton, Wendy N. Wagner, and Christie Yant
Strange Horizons, Niall Harrison, editor-in-chief
(followed by No Award)

Best Fanzine

Journey Planet, edited by James Bacon, Christopher J Garcia, Lynda E. Rucker, Pete Young, Colin Harris, and Helen J.Montgomery
(followed by No Award)
Withdrew: Black Gate, edited by John O’Neill

Best Fancast

Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch (Producer)
Tea and Jeopardy, Emma Newman and Peter Newman
(followed by No Award)

Best Fan Writer

Laura J. MixonExcept Mixon also campaigned for a Hugo Award with emotional blackmail language, which IMHO makes her no better than the Puppies.
(followed by No Award)

Best Fan Artist

This is the only puppy-free category (as it wasn’t on their slate)! Congrats to the nominees!
Ninni Aalto
Brad W. Foster
Elizabeth Leggett
Spring Schoenhuth
Steve Stiles

John W. Campbell Award (not a Hugo)

Wesley Chu
(followed by No Award)
You’re free to comment, but if you’re going to send hate comments, I’m just going to block you from commenting ever.
Note: After posting this, Rick told me later about this File 770 post, which analyzes the issue differently and compares the Sad/Rabid Puppies slates.

Sir Pterry declined his nomination in 2005. Many of the comments are interesting too, including the one that J. K. Rowling and Terry Pratchett trailed just behind John Scalzi and Charles Stross in 2008.

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Ellora's Cave: EC's Author Loops Letter

04 April 2015

On March 29th, Tina Engler sent this email out to one of the Ellora’s Cave email loops, and I considered it not interesting enough to post. However, given the various concerns I’ve been reading in various places, I felt it was worthy of posting and commenting. Also, a Lolita Lopez update at the end.

1) We have no interest in what goes on in author loops. We don’t even monitor our own let alone anyone else’s. Closed loops are closed for a reason: so authors can vent to each other and support each other. We would never violate your space. If you could find even one credible instance wherein we’ve ever violated authors’ private spaces then I could understand getting worked up, but since no such incidents exist it amounts to worrying over literally nothing.
2) To our knowledge, there are no faulty 1099s out there. The handful of people who had questions emailed us and we responded. All replies to those responses were to the tune of “Ohhh okay. Thanks for the explanation and have a great day!” If you have a problem with your 1099 and do not bring it to our attention then we have no way of knowing. Again, and as was stated in the last email sent to this loop, if you do not receive an email reply within the specified amount of time then just call us at the author number we set up for you (last post) or send us a certified letter because chances are we never received it. To date, we have received one phone call and her call has been returned.
3) Human error and computer error are unavoidable and are going to happen. The walking-on-eggshells climate that has been created by gossips and conspiracy theorists doesn’t allow for either eventuality and it’s getting old very quickly. With over 600 royalty checks going out every month, mistakes are inevitable. Please be in the habit of checking your statements every month. Contrary to gossip, mistakes are actually more the exception than the rule, but they DO happen.
As always, we encourage you to contact us with any questions you have.
Thank You & Happy Sunday,
Tina/Jaid

Point the first: Author Loops

Because no doubt some author loop information has become discoverable (see Courtney Milan’s kboards post here), there’s always the possibility that, even if Ellora’s Cave had no intention of invading the privacy of author groups, if they need to make their case based upon some of that information in discovery, I believe they will.
However, I have zero information as to whether or not that will, in fact, be necessary.
I’m one of those who doesn’t believe in premature optimization of anger, aka “don’t borrow trouble.” I think we should wait and see what happens.
That said, I find it difficult to reconcile the above statement of Tina’s with the stance in the lawsuit paperwork about anonymous commenters—many of whom were authors.
To refresh memories, that statement (which can be found on p. 21 of this document) says:

Additionally, Plaintiff request [sic] that Defendants disclose the name of the anonymous commenters on the blog so that the spreading of the defamatory statement can be stopped.

If that’s Ellora’s Cave’s stance, then why wouldn’t they be interested in discovery on author loops?
Therefore, my feeling is that Tina’s statement is meant to appease authors, but is not reflective of the reality of having initiated this lawsuit, nor the stated aims of the lawsuit.
(Though I still maintain that the lawsuit may ultimately be about Adam’s comments on TCCoEC.)

Point the Second: 1099s & Errors

Given Lolita Lopez’s story about last year followed by the August layoffs, several people were hoping there wouldn’t be big issues with this year’s 1099. To EC’s credit, that hasn’t seemed to happen. Julie believed she’d had one, but tweeted that she was in error.
The only other 1099 issue I’ve heard of was co-authors receiving 1099s for different amounts, but I believe they’d also received checks for different amounts. It’s been a LONG time on Twitter, and it’s not easy to look back for the underlying information.
As Tina says, errors happen.

Lolita Lopez Update

Lolita posted about a couple of things, including some very scary health news she’s been through. Relevant to the unfolding story here, she revealed the following:

Last week, I learned that emails from Ellora’s Cave that were meant for me never reached my inboxes. They were sent to someone else in the company’s headquarters who–curiously–never forwarded them to me or let the sender know they had gone to the wrong place. So, for six months, I needlessly stressed over something that could have been fixed with one or two quick conversations.
On Tuesday morning, Patty Marks, CEO of Ellora’s Cave, offered a very, very gracious compromise on the unwritten spec contracts for Grabbed books 4, 5, 6, and 7. These books and the rights to them and the Grabbed world are back in my hands. I can’t promise that you’ll see Raze, Terror, Torment or Cipher’s books this year (not with all that’s going on with my heart) but I will write and publish these books.

I’m thrilled that she and Ellora’s Cave have come to an agreement, and that the series will continue. I also wish her the best of health with her heart issues.

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Weird Scientology Beliefs: Scientology's Expanding

31 March 2015

The Truth About Scientology Expanding
In 1979 and 1980, I worked at the Church of Scientology, Mission of Orange County in Tustin. I worked in Treasury. My primary role was Director of Income, which isn’t as interesting as it sounds. I left because, frankly, I was going broke quickly. I felt bad about leaving and returned in January 1984 on a 5-year contract. It had recently increased its status from Mission to Org. I worked there through most of 1989. Like before, I worked in Treasury, both as Director of Income and later as Deputy Treasury Secretary.
This post came about because of this tweet:

#Scientology will expand, continue to help thousands around the globe in #GoingClear & will never lose their tax exempt status in the USA.

— Edwin Dearborn (@edwindearborn) March 30, 2015

You see, I know Edwin Dearborn. In the late 80s, he was in charge of the “field staff members,” which is basically the affiliate program for Scientology. His job was getting people to bring other people in and paying them their commissions.
Director of Income (my job) consisted of a bunch of things including:

  • Rents other tenants owed us;
  • Interest income on accounts;
  • Field staff member commissions when we referred people to higher Scientology organizations; and
  • Debts owed to Scientology.

Some Actual Numbers

Let’s talk numbers. In 1979 and 1980, a good week was $10,000 and a more average week was $7,000. We had thirty staff at the time. Scientology policy says that 30% of the week’s budget (and yes, budgeting is done weekly) is used to pay the staff. In cash. Around then, the average staff member made $70 per week. The mission had about $450,000 in savings and a paid-off mortgage on its building.
By 1984, there were quite a few more staff—about double—and the average weekly income had risen to around $20,000-30,000. When I returned, there were almost no savings, and the building had a mortgage. After the 1982 Mission Holders’ Conference, a lot of the “wealthy” mission coffers were raided. In addition, the mission had been seized from Ray and Pam Kemp, who’d sued and had gotten paid back. Hence the mortgage.
Average staff pay at the newly-minted church was ~$110. I remember the first hundred-thousand dollar week. Because the org was growing a lot, eventually the average week became $250,000. At that point, we had consistently 200-250 staff and had to rent significant space at the building across the street. Average staff pay ran around $150. If you note, the numbers don’t add up for a couple of reasons: 1) the budget sum excluded book and e-meter sales (which had their own budgeting), and we had a much higher percentage than in earlier days; 2) we got a lot of refund requests and bounced checks (more the latter than the former), frequently in excess of $50,000.
I’m told that for many orgs, including Orange County, the peak Scientology money expansion was in 1988-1992, though the peak expansion in number of Scientology students was far earlier—in the late 60s to mid-70s.
The big game at the time was to make all organizations “Saint Hill Size,” supposedly the pinnacle where we’d all get paid living wages, yada yada yada. (I’m not the first—nor the last—to be taken in by a long con.) Orange County, along with Stevens Creek and Los Angeles, achieved this in the late 80s.

Scientology Funding Changes Since The 80s

L. Ron Hubbard did not believe in donations. He didn’t believe in fundraisers. In fact, he had rather scathing words to say on the subject:

SOLVE IT WITH SCIENTOLOGY
[Excerpt from HCO Policy Letter of 24 February 1964
Urgent-Org Programming]
If the Org slumps: Don’t engage in “fund raising” or “selling postcards” or borrowing money.
Just make more income with Scientology.
It’s a sign of very poor management to seek extraordinary solutions for finance outside Scientology. It has always failed.
For Orgs as for pcs “Solve It With Scientology”.
Every time I myself have sought to solve finance or personnel in other ways than Scientology I have lost out. So I can tell you from experience that Org solvency lies in More Scientology, not patented conibs, or fund raising Barbecues.

And, in practice, you never saw fundraising.

The Ideal Org Strategy and How it Changed Scientology’s Bottom Line

L. Ron Hubbard didn’t care about how impressive buildings were. He cared whether the org was making it, he didn’t like debt, he didn’t like fundraising. For all his faults, he thought Scientology should sink or swim on its own merits.

We own a tremendous amount of property. We own a tremendous amount of material, and so forth. And it keeps growing. But that’s not important.
When buildings get important to us, for God’s sake, some of you born revolutionists, will you please blow up central headquarters. If someone had put some H.E. [high explosives] under the Vatican long ago, Catholicism might still be going.
Don’t get interested in real estate. Don’t get interested in the masses of buildings, because that’s not important.
Tape: The Genus of Scientology
Anatomy of the Human Mind Congress
31 December 1960

The first attempts at an Ideal Org strategy—by which I mean putting Scientology in a vastly nicer building came in the late 80s, only a couple of years after L. Ron Hubbard died.
Big impressive buildings would become Scientology’s icons. Rumor has it that this was at the behest of Tom Cruise, who purportedly told David Miscavige, Scientology’s leader, that a lot of orgs looked ratty (which was true). Regardless of the real reason, there came to be huge, and nearly endless, fundraising campaigns.
Like so.
melva-collins
(Source: Tony Ortega)
When I was in, there was simply no way that you would ever pay $5,000 for status. Heck, even the International Association of Scientologists was only $300 per year back then. Before that, there were no formal memberships; it was free.

So How Well Have Scientology’s Expansion Plans Worked?

Remember Edwin Dearborn? He’s now selling himself as a marketer. In 2010, my friend Mark and I visited Orange County Org for the first time in many years. My goal? To find out whether or not I’d been declared a suppressive person. Oh, and the lulz.
Edwin was then the organization’s head and came to say hello. He was also working part-time in marketing at that point.
Yet, his marketing skill was such that he couldn’t save his own organization, who’d supposedly had a metric ton of money raised for a new building, from having a disconnect notice for the water bill tucked into the side of the building (photo up top).
Here are other photos I took that day.
We drove in during the busiest part of Scientology’s week, but the parking lot looks unmaintained. The vehicles all seemed to be staff; neither of us saw anyone who seemed to be public (parishioners).
Scientology's empty, ratty parking lot
Some parking places are marked off for “humanitarians,” by which Scientology means people with big wallets. Srsly.
Guess they have no humanitarians.
And here’s the way back of the parking lot. Check this out.
OCthursBefore2
That sure looks like massive expansion…of potholes.
What hit me the hardest in talking to all the overly earnest staff members was that each and every one of them—including people I’d known twenty to thirty years before—held one of the core Scientology beliefs: that Scientology was expanding. Even when, to their very own eyes, the evidence was there to the contrary.
Mark and I just were kind of dumbstruck by the whole concept. It’s fairly obvious to me that that no longer looks like an organization with 200-250 staff, let alone the public to go with.
Then we went to the “new” location, which has since become their new “ideal” org, where Mark found the disconnect notice. In fact, you can see the entire parking lot in this picture.
Back Camera
Because there is no parking lot. It’s just enough outside downtown Santa Ana that it also gets no foot traffic.

Another Edwin Dearborn Stunt

I’m going to quote the Scientologese to you, then translate.

Im pressing charges against a scientologist who molested my daughter when I was a staff member. He is still in scientology with his wife and other family on staff, so the church’s Dir I&R, (kylie Roe) decided that since I was no longer a scientologist, they would not be interviewing him.
The ED, Ed Dearborn then requested I be comm-ev’d from post for allowing his only introductory auditor to moonlight.

So, by reporting that her daughter was being molested by another staff member, Scientology decided that Maggie was no longer a Scientologist, and therefore there was no need to interview the molester. The OC Church’s head, Edwin Dearborn, wanted to bring Scientology justice actions against Maggie to remove her from her job.
Remove the person reporting and, voila, there’s no more problem.

Scientology Beliefs: That they Will Become Saint Hill Size

Remember how I said Orange County became a Saint Hill Size organization in the late 80s?
3-e-flash-oc-e1424494952967
(Source: Tony Ortega)
As Mike Rinder says:

They have apparently (and conveniently) forgotten they did this already, back in the 90’s […].

Actually, I believe it was 1988.

So typical of Kool Aid drinkers. They have selective memory.

Despite Rinder’s comments, OC really was big, we had blocks of parking problems, especially at night, and we had a lot of public coming in. I don’t know what LA Org was actually doing, but Rinder says they were falsifying stats. If OC was, it definitely wasn’t the quantity of money stats, because I did some of those audits.
Now, there were, as I said, a lot of bounced checks and refunds, and I thought there were a lot of badly handled financial situations, including trying to make special payment arrangements through third parties, as apparently happened here. There may well have been falsified statistics in various areas, but the amount of money deposited, to the best of my knowledge, matched the reported income.
Still, how can an organization shrink 75% (my estimate) and staff who’ve been there all along don’t notice? I just can’t even.
As Susan Garbanzo said on Twitter, “PR helps only when a co. is really ready to open up. Else it’s just room freshener.”
Scientology “expansion”? Is just room freshener.

My New Scientology-Themed T-Shirt

Xenu Is My Homeboy. Available from Redbubble in a bunch of sizes and styles, including a hoodie. Thanks to Deana for the idea.
xenu-is-my-homeboy-mockup-700

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Dear Author: More on Jane Litte/Jen Frederick

27 March 2015

dear-author-dear-romancelandia
I’ve been teasing apart the feelings around Dear Author’s Jane Litte revealing herself to be romance author Jen Frederick, and I’ve been reading a lot of comments around. I’d also like to thank Olivia Waite for her comment on my last post, which was super helpful.
I’m also being distracted while writing this post by one of the entertaining and beautiful black squirrels we have in our yard. I’m still running on less sleep than I need, but sometimes that’s the best time to access feelings.

First: What I See As the Big Ethical Question

There are many, but this one’s the biggie, I think:
How much of what was posted in the Curious Cave article was told to Jane Litte (voluntary disclosure) vs. Jen Frederick (involuntary disclosure)?

Lawyers Are Not Magical Beings Who Know All About the Law

I’ve seen this said over and over and over that Jane, being a lawyer, must magically know something specific about the law.
I can only speak to this via analogy.

  1. I’m a software engineer who’s been paid to write programs in 26 different computer languages.
  2. Some of that software (okay, a very small part) has been launched into space.
  3. I know how to write anything in software that I’d like to write. That doesn’t mean I’d have the best, most efficient, most beautiful code. Nor does it mean that I wouldn’t have to do any research. Only that, given any software problem, I could write a solution to it if I felt interested enough in doing so.
  4. I have an M.S. in Computer Science from a respected university.
  5. Yet, despite that amount of skill, there are fundamentals I know I’d have to look up. For example, I personally hate writing sort algorithms. It’s one of those “(pretty much) everyone goes through this during a CS degree” things that I didn’t bond to. Fortunately, the reference work (by Donald Knuth) on the topic is, at any given moment I’m at my desk, at my right hand. No, not because I need it to write code, but because I’m actually using it for story research.

Similarly, there are a lot of basics topics that lawyers train on during law school. Law school is incredibly broad and far reaching, like a general humanities degree is. There’s a limited amount of specialist training after the first year.
Still, the expectation that anyone who’s a lawyer must know X about the law is a bit like saying I must therefore know everything about sort algorithms. Or that any American with an English degree must necessarily be an expert on Mark Twain.
Even more than software or knowledge about writers, legal knowledge is incredibly specific and can be outdated quickly. Jane practices in an area of employment law (worker’s compensation) likely removed from civil litigation discovery issues.

Can Authors Be “Just” Readers?

First, I don’t like the word “just” I’ve been seeing in some contexts, as though readers are somehow lesser than authors. Nevertheless, I’ve only had one cup of coffee so far today, so I’m starting there.
This is an ironic mistake for me to have made, but somehow I missed that most of the people speaking up about Jane/Jen’s revelation are readers rather than writers. That they feel like someone is no longer representing their interests. Further, after Sarah Wendell’s post, I suspect a lot of readers won’t be trusting that site, either.
I got started writing in part because I was a fan of Lawrence Block, and I ran out of novels to read, so I started reading his non-fiction. One of the things he’d said is that he didn’t review books because he wouldn’t want to feel compelled to be honest. That it could imperil friendships with other authors.
It’s not something that happens immediately upon becoming an author, though. For years, I didn’t really understand Block’s point—until I read a book from an author colleague I liked and found I hated the book. Then I got it.
At that point, I could no longer be “just” a reader, but that point didn’t happen immediately. Arguably, it can happen a lot sooner in this Internet age—I started submitting fiction more than twenty-five years ago.
The other reason I missed it is that there’s not an equivalently large site in SF/F for readers apart from the magazines. (I’ve always considered Locus more a professional magazine focused on the industry insiders than readers per se.) Part of that is the incredible divide between various parts of SF/F writing and fandom. I don’t know whether SF/F is more divisive than romancelandia, but it sure seems that way to a relative outsider. Let’s just say the challenges of the genres are different and leave it at that.

Courtney Milan Has a Great Point

Link to Courtney Milan’s Comment (comment #210), which I’ve quoted in full below:

Look, there’s a reason I haven’t said much. I’m still untangling things. There are a lot of things that I need to untangle. I’m sorry that’s not convenient–I conveniently wish I could untangle this easily, too.
But here is one thread of about 45 tangled threads that I think I’m finally clear on: There is an intersection between Jane being on author loops and the lawsuit.
Everything that crosses Jane’s eye about Ellora’s Cave is discoverable by Tina Engler–someone who has allegedly inflated the 1099s of former editors who testified in the suit in retaliation for their testimony, an action that will cost them time and money to correct. A lot of authors–and I mean a LOT–are being very cautious about what they say because they don’t want to be retaliated against. I understand that worry and I’m not going to tell people to put their careers on the line when they’ve got a living to make.
Now we come to those private author loops. Because that’s where we do a lot of processing behind the scenes, including processing of the questions regarding the EC suit. On private author loops, authors have asked each other questions like this: Do I say something in public? Is it worth the risk? They still have six of my books, and they’re still paying me and I need that money to pay rent. Or, maybe the calculus goes, They haven’t paid me yet but I think they will and I can’t afford not to get it. I can’t speak up.
Ellora’s Cave is going to ask for discovery of any and all communications received by Jane in any form regarding Ellora’s Cave. If Jane was on any of those loops? That stuff is discoverable. Even if Jane as Jen didn’t respond or instigate the discussion. Even if she never used the information.
It is a huge risk to speak frankly in front of someone who may be compelled by court order to report your speech to the person you are talking about. There’s even the risk that, as a result of that speech, you may be compelled by subpoena to testify in court. These are risks that are vastly different in kind than the risks authors normally assume–and Jane spent six months on authors’ loops not disclosing that a court could compel her to put everything said in front of her about Ellora’s Cave in front of Tina Engler.

Apart from the quibble that the 1099 thing (see this post from Lolita Lopez) was Ellora’s Cave, not Tina Engler as an individual—yes.
However, I’d argue that the potential discovery problems occurred because Jane’s “industry journalist” hat got mixed in with the author hat, not because her reviewer hat did. As I said yesterday, I’d argue that the industry journalist hat offers the greater overall conflict of interest in this particular case.
It’s also perfectly normal to process via talking to each other, and, precisely because writing’s a lonely profession, that’s commonly on mailing lists with other writers. Also, it’s going to take me quite a while to untangle this too.

Jessica Clare on Jane Litte’s Announcement

Jessica Clare, aka Jill Myles, has blogged about Jane Litte’s announcement. It does answer an outstanding question I had (whether Jessica knew of the Jane Litte identity).
While I am totally fine with both of them loving each other’s works and being friends, I’m still uncomfortable, for reasons I haven’t totally unpacked, with Jessica having brought Jen into inner circles without giving others a heads up as to her other identity.
I just discovered that I’ve been on an author loop where Jen Frederick was as well. However, she left that group quite some time ago.

Jen Frederick’s Undeclared

I started reading Jen Frederick’s permafree book, Undeclared, when I couldn’t sleep night before last. I read about 10% of it then, then read another 10% last night. (I’m behind on two books I need to put more energy into reading, but I also was in no shape to read either of those.)
For whatever it’s worth, I’m enjoying the book. Granted, new adult romance is my personal catnip.

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Dear Author: Pseudonymous and Anonymous Speech Issues

26 March 2015

Anonymous Speech
I’ve thought a lot about anonymous and pseudonymous speech over the years, and I have to admit that the outrage to Jane Litte’s outing herself as Jen Frederick has me scratching my head.
I’ve got a long history with pseudonymity, and I used a pseudonym long before I became a writer. Back in the 70s and early 80s, I used the pseudonym Harfesta online, partly because someone was already using Deirdre as their pseudonym (which frankly cheesed me because it’s my given name).
I’ve used pseudonyms in various places where it was the expectation, and I’ve used pseudonyms in publishing since not long after my start (but long before Google) simply because it was a contract requirement.
In 94-95 on alt.religion.scientology, I used an open pseudonym (Deeny, which was related to my AOL account name) as well as my real first name. I also used anonymized speech through the late anon.penet.fi (a two-way anon remailer) as well as outright anon speech, back in the days when you could push email through an anon gateway and have a reasonable expectation it’d be received on the other end.
I haven’t used truly anon speech since then.

Anonymous Speech: Peer vs. Non-Peer Relationships

But in most circles where there are pseudonymous or anonymous speakers, those speakers are generally peers, e.g., people on a web forum.
What’s fascinating about the romance community is that there are a number of people known full-time by pseudonyms, and people may have multiple pseudonyms operating in different segments of the romance community at the same time. Some of these are “open” pseudonyms, like Jennifer L. Armentrout’s J. Lynn (or, in science fiction, Harry Turtledove’s H.N. Turtletaub for his non-SF historicals). The open pseudonyms are typically needed because of bookstore computer systems—not wanting to cross the marketing streams, especially where sales are expected to differ significantly. That way, one bad book won’t tank both of your careers.
A number of people are known by closed pseudonyms too, though, and some are probably known by both open and closed at the same time. (One could argue, given that Jane Litte’s legal name was used in an article years back, this is true for her.)
But relationships with editors, well, we expect them to be known by their “real” names. So I’ve wondered if part of the backlash about Jane’s/Jen’s revelation is delayed backlash about Jane Litte having been a pseudonym in the first place.
I’m coming from the sf/f world, where a higher percentage of people seem to use their real names (though that may just be the apparency), and I’m just shaking my head at the irony of some of the comments over on The Passive Voice article linked in my last blog post on this topic: using a pseudonym to complain about pseudonymity per se would be funny if this weren’t such a serious topic.
To be clear, I’m not ignoring the ethical issues relating to disclosure or transparency. They are there, and some of them don’t make me happy.
Personally, I’m wondering why there’s a bigger reaction to there being a reviewer in author spaces than an industry journalist in author spaces. That seems the potentially larger conflict of interest.

Getting Back to Ellora’s Cave v. Dear Author for a Moment

I wish I could find the comment I am pretty sure I wrote (perhaps only in a dream; I’ve had a really tough time since the Germanwings airplane crash), responding to someone who’d contributed to DA’s legal fundraising. Essentially, some people have called into question that fundraising in light of being a successful romance author and having recently sold film rights.
To which I say the following:

  1. She said she had $20,000 to contribute toward her defense. That may well have been entirely from the book sales and film rights for all you and I know.
  2. I’ve sold film rights (to a proposed Lifetime movie about one aspect of my own life). Let’s put it this way: options are cheap. The real money is when the film is produced, and I don’t believe that’s happened yet.
  3. Lawyers don’t necessarily make a lot of money, especially not lawyers for the state. I know two people who’ve passed the bar in recent years who are basically starving. It’s not a golden ticket.

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Paying it Forward

21 March 2015

[![Paying it Forward, Photo by Lizzy Gadd](/images/2014/08/KGcbEHoSLmcHyhqA2nfl_76591_667052060003591_1045050051_n-700x464.jpg)](/images/2014/08/KGcbEHoSLmcHyhqA2nfl_76591_667052060003591_1045050051_n.jpg)Photo by [Lizzy Gadd](http://www.elizabethgadd.com)

Fandom (and I mean greater extended fandom, not just science fiction fandom) has had various ways of paying it forward for decades. In fact, TAFF, the trans-atlantic fan fund, has been around since 1953.
What’s harder to find are those opportunities to transition from serious amateur to professional. Sure, there are Clarion (and Clarion West) scholarships, and various other programs to help get people over that hump. However, there are vastly more people qualified for them (and needing them) than there is money to go around.
Which is why I’m so excited by Lori Witt’s offer for romance writers: to fund (sans airfare) attendance for one new romance writer to RT Booklovers convention for 2016.> The thing is, the authors who stand to benefit the most from a convention like this often struggle to justify the expense. The very people who need to increase their sales and exposure the most are the ones who generally struggle to pay for it because they need those increased sales to fund the means for increasing those sales. It’s a frustrating paradox! The really awesome swag is expensive. The most visible and eye-catching advertisements and posters are expensive. Just being there is expensive.

How expensive? Look at what Lori’s offering to cover:

From the essays, I will select a group of finalists, and with the help of a group of published authors, determine a winner and two runners up. The number of finalists and the size of the panel will be determined based on the number of qualifying entries.
The two runners up will each receive $150 toward swag or advertising.
And for the winner, I will pay for the following:

  • Your conference registration as a published author (approximately $500).
  • Your hotel room for the duration of RT (April 12-17, 2016 – 5 nights) at the conference hotel.
  • $250 toward custom, professionally produced swag.
  • $250 toward an advertisement of your choice.
  • One celebratory drink at the bar.

In addition to financial assistance, I will provide a guest spot on my blog for a follow-up post about your experiences at RT. Also, one-on-one guidance at the convention. This means help with pitches, going over the agenda to decide which panels and workshops will be most helpful for your goals, helping you set up and prepare for the book signing, generally navigating the conference, etc. This part is entirely optional, but is there if you need it.

Applications close August 1. Here’s the link to Lori’s blog post.
Maybe you don’t qualify, or this doesn’t fit, but you’d like to support Lori in some other way. She writes M/M romance under the name L.A. Witt, and sf/f (that’s not romance) under Lori A. Witt.
Now, granted, RT Booklovers is far more of a professional convention than anything other than World Fantasy in the science fiction/fantasy space.

How Not to Pay it Forward: The Unsplash Edition

Unsplash had become one of my favorite free stock photo sites. They have good taste. The range is limited (partly because they publish 10 photos every 10 days), but the photos are interesting.
However, there’s a darker side to it. Previously, they did nothing with submitted but not accepted photos. Then, suddenly, they decided to create a photographer page with all the submitted photos, killing the chance the photographer had to sell those particular shots for money.
As if that weren’t enough, instead of linking to the photographer’s site, now they just link to their own portfolio page. So the people who did the work are getting name credit, but they’re not getting the referrals. Because so many people link to Unsplash, very often the photographers’ own sites are pushed off the top search results as a consequence.
I’ve used about a dozen Unsplash photos here (including the one up top), and I’ll be deleting all references to the site as well as making sure all credits point to the photographers’ respective pages.
(To be clear, most of the free stock photos I’ve used in my blog posts came from Unsplash. I’ve also used regular stock photos that I’ve paid for, but I’ve used more of my own photos.)
While I’m going to reuse previously-uploaded photos, I’m not sure how I feel about uploading new ones at this point, even though I have a saved library. Unsplash’s actions feel like slapping someone who offered a gift, you know?
It’s a particularly tough time for photographers right now, and Aleksandra Boguslawska speaks more about how Unsplash’s actions hurt photographers.

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How I Discovered My Coconut Allergy

14 March 2015

Coconut-covered praline
It started innocently enough. My dad and I used to go out to see new science fiction and fantasy movies on release night. The same day we went to go see Ralph Bakshi’s Wizards, I received a sample of a new shampoo in the mail.
I washed my hair…and spent most of the movie sneezing. I’d become allergic to shampoo. I’d remain in denial about this for quite a few years. As you do.
I can’t remember what my brand of choice was at the time—probably Breck—but I soon discovered that I’d become allergic to any shampoo before I finished the bottle. Worse, it was beginning to get more and more difficult to find new kinds of shampoo.

Ever Really Studied a Shampoo Label?

Yeah, neither had I, at least not before. After checking three I’d recently become allergic to and seeing no obvious ingredients in common, I just figured it was something I had to suffer with.
One day, when I was more flush with cash and in an experimental mindset, I started rotating shampoos. Around about this time, I also discovered that rinsing alone would help reduce the number of times I needed to shampoo, and thus make a bottle last that much longer. Somehow, there did seem to be a frequency-of-use component to developing an allergy to a specific shampoo.
Even after not using a shampoo for one, five, ten years—I’d still be allergic. I loved phrases like “New and Improved,” though, because sometimes they meant a new enough formulation that it was new to my immune system, too.
Some shampoos I was allergic to on first use, though I could usually tell those by smelling them in the store. And yes, I was one of those people, and I hope you understand why.
Worse, once I was allergic to one bottle from a given line, it was generally true that I couldn’t use a different scent in the same line.

Then I Married a Soap Chemist

My first husband, Richard, had been a soap chemist at Lever Bros, and asked me about my fixation on a large array of shampoo products. He didn’t particularly care about the cast-offs—more for him, after all—but it sounded like a challenge to him. We went through the store one day, and I told him all the brands I’d tried. (I’d in fact tried many more than were stocked in Northeastern Vermont.)
He started writing down ingredients and comparing them, and he was fascinated by all the sulfates (e.g., sodium laureth sulfate). “These are pretty harsh,” he said. I believe he said they were lathering agents, but he’s now dead, so I can’t exactly ask him about it.
We started looking for shampoos that contained none of the sulfates, and all I could find at first was a pet shampoo. It left my hair blah looking, but I was able to finish the bottle without developing an allergy. Hooray! I just…was too embarrassed to admit what kind of shampoo I’d been using.
Eventually, I discovered that a lot of the organic groceries stocked sulfate free shampoos, so I’d occasionally find a bottle here and there, and use those. These days, Trader Joe’s, Burt’s Bees, and many other places have sulfate-free shampoos. Yay!

But That’s Only Half the Coconut Story

About the time Richard died, I’d been on an elimination diet, suspecting gluten issues. I discovered that I had major problems with gluten. (I’ve never received a formal celiac diagnosis, but it’s presumed. There are long-standing reasons for this, and getting a formal diagnosis is complicated once you’ve been gluten-free for a long time.)
I’d never really bonded with Indian or Thai food. Part of it is the fact that I don’t like all the spices, but part of it is that I’ve just felt sick after eating it. Or ill. Or sometimes both. I kept assuming that the restaurants I was visiting were simply lying about the contents and I was getting secretly glutened.
Then a new book about Indian cooking came out, called Five Spices. One of the recipes was printed in the paper, and Rick cooked it. Indian food I liked that didn’t make me sick! It was a revelation.

A Chance Conversation

I happened to be talking to someone about my shampoo allergy one day, and she said, “Oh, you’re allergic to the coconut-based ingredients.”
Ding!
I started paying more attention to what kinds of Indian and Thai food made me sick, and it pretty much all involved coconut in some form (e.g., curry).
See, one of the problems of coconut (any food ingredient, really): just because it tastes like coconut doesn’t mean it actually contains coconut. Inversely, just because it doesn’t taste like coconut doesn’t mean you can safely eat it. So it can be really hard to learn from good/bad food interactions what the problem ingredients actually are.
And, until someone shed light on the problem, I’d never assumed my shampoo allergy had anything to do with a dietary problem. Strange, I know, especially given I knew people who had both contact allergies and dietary allergies to various ingredients.
A few years ago, I went to an Indian place in Liverpool (in the UK), and was able to safely navigate the waters of an Indian restaurant menu. Progress!

It’s a Lot Easier Now

Sometimes, I forget to ask questions, like when we went out recently for vegan with friends, and I forgot to ask what the base for the ice cream was. (Fortunately, that tasted like coconut, and I didn’t get sick because I caught it right away.)
There are a lot of great sulfate-free shampoos out there, too, so that’s less of a problem.
On the other hand, when I saw all the signs in Maui for food trucks with “ice cold coconut,” it made me sad that I couldn’t have one of my very own.

A List of Coconut Derivatives

After I posted this, this page linked to my tweet announcing the post. If only I’d had that page in 1994-1995. Sigh.
It does tell me there are some medications I should probably avoid, and one of them is a common cough syrup ingredient. 🙁
And here’s a great blog from another person with a coconut allergy.

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Ellora's Cave: Royalty Statement Missing Column

12 March 2015

elloras-cave-blog-header
When I looked at Cat Grant’s statements from Ellora’s Cave (link to one), I noticed that the statement contained the following columns:

  1. ISBN
  2. Book Name
  3. Book type (e.g., ebook or paper)
  4. Store (e.g., Amazon UK)
  5. Per Unit (which I interpret to mean the amount received from EC from that vendor for that line item per copy sold)
  6. Quantity Sold
  7. Total Received (5 times 6)
  8. Royalty % (which is not shown as a percentage)
  9. Royalty paid (7 times 8)

That’s missing a very important column to be able to audit the royalties received. I happened to mention this to someone last night and, well, mind blown.
Sale Price at the vendor in question.
Sorry I didn’t think to post about it earlier. I’m one of those people who notices holes in things, and I kinda forget that other people don’t always.
Here’s one of my royalty statements.
Note the second column: Price, meaning the suggested retail price for a book, or the price at a given vendor.
That’s absent from Ellora’s Cave’s statements.
So, what you can’t see on EC’s statements are what the spread between price (for a given vendor) and “per unit” are. Meaning: how much, as a percentage of the price, is Ellora’s Cave actually receiving? (Or claiming to receive?)

  1. Is that spread in line with industry norms?
  2. Is that spread consistent from month to month?
  3. Has the price changed over time?
  4. If so, has the spread followed those price changes?

Without the price information, you just can’t determine that.
Ellora’s Cave apparently figures that that’s none of its authors’ business, and they should not worry their collective pretty little heads over it. Personally, I disagree.

Then There Are Worldwide Pricing Issues…

I’ve previously mentioned EC’s distribution issues, but that also feeds into the point about price, as each market may or may not have a different price for an Ellora’s Cave title. On top of that, I only looked at US markets in that post; there are many, many more.

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Ellora's Cave: Jaid Black/Tina Engler Flounces off Twitter

12 March 2015

elloras-cave-blog-header
Ellora’s Cave founder Tina Engler (pseudonym: Jaid Black) flounced off Twitter after being called out on her Thomas Jefferson/Sally Hemings beliefs (that it was a romantic relationship and the two were married) and her transphobic comments.
Yesterday was quite the day. Too bad I screencapped the wrong stuff, missed half of the best stuff, and lost bandwidth entirely just as @pubnt returned.
The Anne Rice Facebook post issue was still going sideways.

The Thomas Jefferson/Sally Hemings Issue

So there’s a new book (short story length, apparently) about Thomas Jefferson and (his slave) Sally Hemings and their BDSM “relationship.” It’s paranormal.
Jaid Black/Tina Engler got involved in this one.

WHAT IN THE ACTUAL FUCK? “historical context of the times” It’s called rape. 200 years ago IT WAS STILL RAPE! pic.twitter.com/jtyNyjdGhp

— Jeanne (@fangirlJeanne) March 11, 2015

#whitepeoplestop pic.twitter.com/7TRCtavTyC

— Alisha Rai (@AlishaRai) March 11, 2015

And so did Jenny Trout, who doxed the hell out of it far more than I could on limited internet time/bandwidth while away from home.
The earlier start to this is last week’s Stephanie Dray incident, covered by Jeanne here and Aya de Leon here. Both cover a lot of similar ground, but both are worth reading. Updated to add this link: Roslyn Holcomb? What she said.
Today’s piece that ties all of these things together, though, complete with a neat little bow, is this one from Moonlight Reader:

And that, my friends, is the hill that Anne Rice has chosen to die on. She hates Jenny Trout so much that she will support that crap over Jenny. And she hates the “bullies” so much than anything that they think is bad, she must go on record as calling good. Even if that thing that is “good” is a disgusting rape fic about a 14-year-old black enslaved person who was raped by her 44 year old white owner for decades.

And, in related news:

Anne Rice’s pro STGRB thread on Amzn was deleted; apparently targeting customers for an attack is NOT OK. #notchilled pic.twitter.com/W6waHTAvsD

— Karlyn P (@KarLyn_P) March 11, 2015

Getting Back to Thomas Jefferson for a Moment…

About Thomas Jefferson and his slaves: the Marquis de Lafayette bequeathed TJ money so he could afford to free his slaves. TJ didn’t.

— Deirdre Saoirse Moen (@deirdresm) March 11, 2015

Correction: it was Thaddeus Kosciuszko.

@deirdresm @smscotten I looked it up. The money was from Thaddeus Kosciuszko. http://t.co/qpaHZXshTV

— At a Glance Romance (@ataglanceRMC) March 12, 2015

Transphobia

First, let’s have a trans* man speak, shall we?

Trans people fight “Bathroom Bills” with restroom selfies in #WeJustNeedToPee viral campaign: http://t.co/9gJXsPhpsL pic.twitter.com/1RW8Z5LfmQ

— Logo TV (@LogoTV) March 12, 2015

Jaid Black/Tina Engler also showed her transphobic ass yesterday.

@courtneymilan @suleikhasnyder this was my favorite part. pic.twitter.com/cefaq2tAga

— Alisha Rai (@AlishaRai) March 11, 2015

…and…

Don’t say you’re 100% for trans rights when you think this is the definition of being trans. pic.twitter.com/UrrE4YPxEW

— Courtney Milan (@courtneymilan) March 11, 2015

…and…

TW for transphobia: Don’t tell me you “100% support trans rights” when you liked this post on Facebook. pic.twitter.com/9k81x9iuQM

— Courtney Milan (@courtneymilan) March 11, 2015

There’s more, but I didn’t screencap it all.
First: what Courtney said.
I wrote a piece last year about my evolution in thinking about transgender folks. About three decades ago, when I first learned about trans issues, pretty much everyone was railroaded into being pre-op or post-op.
The trans* community doesn’t all fit into neat categories that cis people like Tina Engler/Jaid Black define, though. Nor should they.
Hell, Jaid’s definitions don’t even cover a lot of the biologically intersexed, which my husband covered rather well in an essay on the definitional problems of “man” and “woman”. While this was written to point out how flawed Prop 8 was, every bit is just as true today.

And then the Flounce.

Tired of being called out (for good reason), Tina Engler decided to delete the @JaidBlack Twitter account.

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Ellora's Cave: Tina Engler Claims I'm Pubnt

08 March 2015

elloras-cave-blog-header
Yep, you heard right. Given that Tina Engler says that, I propose a wager.
As a comment on Anne Rice’s Facebook post, Tina Engler/Jaid Black said the following:

Well to be honest Anita, my mom & I believe it’s [@pubnt is] one of you. That D— who keeps a color-coded spreadsheet tracking my every breath lives in San Francisco. I’ve never been to SF & don’t know anyone who lives there. (Purposefully edited so I don’t get accused of more “doxing.”[)]

TinaClaimsDSMisPubnt
Look, I’m pitifully easy to dox, and I do not live in San Francisco. Further:

  1. I’m not @pubnt, never have been.
  2. I still believe that @pubnt is solely or mostly Tina Engler.
  3. I believe, if it’s not Tina, that Tina and Patty Marks know perfectly well who @pubnt is—which is why Ellora’s Cave didn’t add @pubnt to their witness list like the defense did.

Personally, if someone not affiliated with my company started tweeting about business and legal strategy in the middle of a lawsuit, I’d be all over that. Which is one reason why it’s so curious Ellora’s Cave has not been.
The color-coded “spreadsheet” (sic) I keep is the court case docket that has nothing to do with Tina personally. If Ellora’s Cave and/or Tina Engler didn’t want me to keep a color-coded docket, maybe they shouldn’t have sued Dear Author.

Ellora’s Cave, I Call Your Bluff

So here’s the deal, Ellora’s Cave and Tina Engler/Jaid Black.
If you’re so convinced that I’m @pubnt, feel free to subpoena Twitter asking for a comparison of @deirdresm’s and @pubnt’s IP addresses and identifying information.
I’ll waive any privacy issues at the Twitter end on one condition….
That, when you’re proven wrong, you agree to do the following:

  1. Put on the top of Ellora’s Cave’s home page in the first slider right up at the top an apology to me and include a link to my Ellora’s Cave posts, and
  2. Do the same on the top of Jaid Black’s website and blog, and
  3. Both for a duration of no less than four months and thirteen days (the amount of time we had to endure @pubnt’s nonsense). Longer if @pubnt ever shows her face again.
  4. Failure to do so will cost $500 per day (plus collection and/or court costs) per site for every day you don’t display said apology.

So, Tina Marie, how about it?

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KDSPY (formerly Kindle Spy): Amazon Market Research Tool

06 March 2015

A few weeks ago, I slipped in a stealth screencap from an Amazon keyword research tool I use—Wesley Atkins’s KDSPY (formerly called Kindle Spy).
Amazon searches provides a lot of interesting information if you’re an Amazon customer, but if you’re an author or publisher, KDSPY will let you know a lot more than Amazon will tell you. Like:

  • Not only how well your own marketing is working, but you can track how much any Kindle author’s marketing converts into Kindle sales with the Rank tracking feature.
  • Look at entire groups of books, their rankings and estimated revenue at once.
  • Export information to a spreadsheet so you can watch over time.

You can use it as a tool for estimating whether to write book A or B next, for example. Or whether now is a good time, market-wise, to publish something you’ve been waiting for the right time to publish.

Get KDSPY Here

Amazon-Keyword-Tips-smIf you buy KDSPY through my link, you’ll also get my own short PDF: Amazon Keywords Tricks & Tips, which will give you some insider secrets into making your book more findable via Amazon’s search. And we all know, you can’t buy something you can’t find….

The Obligatory KDSPY Screenshot

new-adult-romance2
This is the top 20 Amazon hits for the phrase “new adult romance” on Amazon as of the time I took the screenshot. After I loaded the page in Amazon, I clicked on the KindleSpy icon in Chrome’s toolbar.
There are a few interesting things to note:

  1. The bestsellers don’t always come first. The top hits, especially the top 2, are ranked based on newness, generally. Half of the first sixteen hits were released in the last few weeks. This “new book” preference rank ensures a lot of freshness at the front, which makes it more interesting for buyers who are, as many romance readers are, heavy readers. The effect lasts 30 days, and it really hurts when that wears off. Also, relevance counts for a lot, and relevance is partly based upon keywords.
  2. The T, S, and C columns aren’t self explanatory. T means look at that single title in Amazon, S means do a web (Google) search with those terms, and C means do a Google image search on the cover image.
  3. The estimated sales is just that—estimated sales, based upon an educated guess and the book’s current sales rank. It is a moment in time.
  4. Sales revenue is the estimated sales times the current sales price. Note that this is also a guesstimate: that high-ranking book with a big sales revenue may have been free until yesterday, and may still be coasting on a big free bump.
    Also worth noting: a borrow for a Kindle Unlimited book will bump your sales rank, but it won’t actually pay out until the reader’s read 10% of the book, which may never happen. The amount it pays out is not fixed. Essentially the pool of payable borrows is divided into the subscription fees for KU—and every author gets a surprise.
  5. Columns are sortable. So if you really want to see how well a book of similar length to yours are doing, you can sort on that.
  6. KDSPY loads 20 books at a time, but you can load 100 total.

KDSPY’s a Chrome or Firefox browser extension, and it works on any Amazon Kindle searches.

Get KDSPY Here

Amazon-Keyword-Tips-smIf you buy KDSPY through my link, you’ll also get my own short PDF: Amazon Keywords Tricks & Tips.

Note: Wesley’s other products are really more for non-fiction writers wanting to write to profitable niches.

Also, there are other tools for Amazon keyword research, and I’ll write about them at some other time.

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World Music Friday: Ledward Ka'apana

06 March 2015

Ledward Ka'apana and his guitar
I’ve decided to turn my love of world music into a regular Friday feature, with Ledward Ka’apana being my first. In general, I’ll be featuring a few videos or songs from each performer, and, for vocals, I’ll emphasize performers who do not sing primarily in English. The other aspect is that this will be popular music in various genres.
I remember back when I worked at Classic Vacations on the Hawai’i desk being thrilled that I finally was able to use my love of Hawai’i in my day job. I went to a local Hawai’ian store, Sun Jose Hawaii (sadly now closed), and went to their music room.

“I learned all my slack key in Kalapana because in Kalapana, we never had any electricity. Yeah, everything was run by kerosene.” (dramatic pause) “First guitar I had was run by kerosene.” —Ledward Ka’apana

Even though most of the wording was in English, and I knew some Hawai’ian, I might as well have stepped into a music shop on another planet. I had no idea who any of these people were, and no idea how to find what I was looking for.
There was an instrumental section, and in that section, there was an album of Slack Key Guitar Masters, offering a smorgasboard of amazing artists. I picked up both volume 1 and 2. Out of all of those songs, I really fell for “Radio Hula” by Ledward Ka’apana. The following is a medley of it with another song (“Yellow Ginger Lei”):

Purchase links: studio: Amazon and iTunes · live: Amazon and iTunes
Note: both are different performances than the video.

One of the other songs I’ve liked Led’s performance of is Whee Ha Swing:

Purchase links: studio: Amazon and iTunes · Amazon and iTunes
Note: both are different performances than the video.

While Led’s primarily known as a slack key guitar master, he’s also a very accomplished ukelele player. In this video, he’s showing off one of his custom ukeleles, and it’s a beauty.

At the end, you hear him laugh, which brings me to the next topic….

Seeing Ledward Ka’apana Live

I’ve been really blessed to be able to see Led live a few times. If you ever have the chance, I highly recommend it. He laughs a lot, and clearly has a great deal of fun at his job, which is always marvelous to see. One time, his daughter danced hula for a couple of songs, and that was wonderful.
The other reason to see him is that he often performs with another slack key guitar artist, Mike Ka’awa. Mike is unique in that he plays 12-string slack key guitar. Here’s a picture of the two of them.
Ledward-Ka'apana-and-Mike-Kaawa
And, while I’m at it, here’s Mike performing one of my favorite songs, with Ledward Ka’apana on ukelele (including a uke solo). Sorry, I can’t embed that one because embedding’s disabled.
But, here’s another of the two of them performing No Ke Ano Ahiahi, which is my favorite of Mike Kaawa’s songs (though I prefer the studio version):

Purchase links: studio: Amazon and iTunes

What Is Slack Key Guitar?

I’ve known it was Hawai’ian my whole life, but I didn’t really realize how much it identified with private expressions of cultural heritage. These following two pull quotes are from this Wikipedia article on slack key guitar:

Slack-key guitar is a fingerstyle genre of guitar music that originated in Hawaii. Its name refers to its characteristic open tunings: the English term is a translation of the Hawaiian kī hōʻalu, which means “loosen the [tuning] key”. Most slack-key tunings can be achieved by starting with a guitar in standard tuning and detuning or “slacking” one or more of the strings until the six strings form a single chord, frequently G major.

I’d known that the guitar came along with Mexican cowboys during the early rancher days in the late 19th century, and that Hawai’ian cowboys are called paniolos.

The music did not develop a mainland audience during the Hawaiian music craze of the early 20th century, during which Hawaiian music came to be identified outside of Islands with the steel guitar and the ʻukulele. Slack key remained private and family entertainment, and it was not even recorded until 1946-47, when Gabby Pahinui cut a series of records that brought the tradition into public view.

It’s the second reason, combined with the fact that slack key didn’t really get mainstream penetration until the 1970s, that led to my not having grown up with slack key guitar. Despite the fact that I took hula lessons and heard a lot of Hawai’ian music, it was mostly of the Don Ho “Pearly Shells” variety (though, as with many recordings of that era, often the white cover artists got more airplay, as Burl Ives did with Pearly Shells).
I’d love to hear some of those amazing players who never got recorded. Sigh. On the flip side, this means that a great deal of slack key guitar music that’s been recorded is still available.

Meanwhile….

We’re in Hawai’i. Years ago (I think in 2011?), we paid for an NCL cruise around the Hawai’ian islands, and it had gotten to the “use it or lose it” time. So, here we are, about to board tomorrow.


Are you a slack key fan? If so, who are some of your favorite artists?

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A Requires Hate Update

04 March 2015

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I posted something in November in haste, and I regret breaking one of my own rules in doing so.

That rule is: rely on your own research when calling people out.

Another thing I’ve become aware of since the Marion Zimmer Bradley story: I actually have a significant platform and need to be careful how I wield it.

Further, we were on sippy cup internet that week (like GPRS every once in a while) and, by the time we got back to normal internet, much of the context was already lost. So it wasn’t that easy to go back and see what happened.

Then a writer of color linked to a piece on the subject that made me think I’d been backing the wrong horse. But it needed research and I was sick, so I put it off. Sadly, that piece has since disappeared, as has another piece it pointed to.

I then added an update to this original post, but didn’t amplify it further, because I wasn’t sure what to say.

So I’m left with a gnarly mess where most of what I really need in order to get the big picture—is incomplete and temporally inconvenient.

Then I Got Called Out on Twitter

First, let me say this: it’s always appropriate to call me out. I’m pointed and direct, so that can be intimidating, but I will always respect it.
So:

  1. I should not have jumped to conclusions based on a single source.
  2. It’s one thing posting things one’s unfamiliar with if they happen to be objective fact, but quite another when it’s not.
  3. I should know better after STGRB in particular that sometimes groups have ironic names.
  4. In general, I try to stay out of drawing conclusions based on what people are have alleged to have done, and instead try to focus on what happened. I didn’t do that, either.

I’m left with the distinctly discomfiting feeling that I should know more about what happened than I do.

I apologize to all I’ve hurt in this, directly and indirectly.

Update: Some Points of Clarification

  1. I didn’t mean to imply that Laura Mixon relied solely on one source. I meant that I had.
  2. This is not a recanting of my prior post. This is an, “I feel an obligation to look into this further because I posted about it in haste and therefore have a duty to the subject matter. And people.” Please don’t assume I’m taking a particular side. I’m simply going to do what I should have done before posting: look and listen.
  3. My usual way of working when there are disparate stories is to start from the position that all people are telling the truth as they know it, and that disparities of information are a part of almost all conflict.
  4. This is big and gnarly and I have a chronic spoon shortage. I may be at this for quite some time, and I’m not starting on it for two weeks.
  5. I believe that pseudonymous and anonymous speech are important, but I believe they can (and should) have limits, too. (Here are some recent US court rulings on anonymous speech.)
  6. I don’t know that I can be impartial (ever, not just in this situation), but I always try to be fair.
  7. To the extent possible, I’ll rely on first-hand information.

(There’s more I wanted to say, but I’m just amazingly tired and in pain, and I need sleep too badly.)

If you wish to comment anonymously here, others have used an email address of anon@anon.com. It’s always moderated, and moderation may take a day or two over the next couple of weeks. Obviously, I get your IP address, but I have no intention of using it.

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